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GHIRLANDAIO, Domenico
Apse fresco dh
c. 1471
Fresco
Parish Church of Sant'Andrea, Cercina
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GHIRLANDAIO, Domenico
St Barbara sdfgs
c. 1471
Fresco
Parish Church of Sant'Andrea, Cercina
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GHIRLANDAIO, Domenico
St Jerome fgh
c. 1471
Fresco
Parish Church of Sant'Andrea, Cercina
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GHIRLANDAIO, Domenico
St Antony dfhh
c. 1471
Fresco
Parish Church of Sant'Andrea, Cercina
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GHIRLANDAIO, Domenico
Madonna of Mercy gh
c. 1472
Fresco
Ognissanti, Florence
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GHIRLANDAIO, Domenico
Madonna and Child with St Sebastian and St Julianb ghj
c. 1473
Fresco
Sant'Andrea a Brozzi, San Donnino
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GHIRLANDAIO, Domenico
Baptism of Christ dfg
c. 1473
Fresco
Sant'Andrea a Brozzi, San Donnino
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GHIRLANDAIO, Domenico
Announcement of Death to St Fina sdg
1473-75
Fresco
Colleggiata, San Gimignano
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GHIRLANDAIO, Domenico
Decoration of the Sala del Gigli
1482-84
Fresco
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GHIRLANDAIO, Domenico
Madonna and Child Enthroned with Saints
c. 1479
Tempera on wood, 170 x 160 cm
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GHIRLANDAIO, Domenico
Madonna and Child Enthroned between Angels and Saints
c. 1486
Tempera on wood,168 x 197 cm
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GHIRLANDAIO, Domenico
Madonna in Glory with Saints
1490-96
Tempera on wood, 221 x 198 cm
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GHIRLANDAIO, Domenico
Renunciation of Worldly Goods
1482-85
Fresco
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GHIRLANDAIO, Domenico
Entombment of St.Fina
mk83
1473-1475
Fresco
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GHIRLANDAIO, Domenico
Last Supper
mk86
1480
Fresco,total width 812cm
Florence,Convent of San Marco.Refectory
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GHIRLANDAIO, Domenico
Old Man and Young Boy
mk86
1488
Tempera on wood
62x46cm
Paris,Musee National du Louvre
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GHIRLANDAIO, Domenico
Last Supper detail
1451-1500
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GHIRLANDAIO, Domenico
Stigmata of St Francis detail
1451-1500
Ghirlandaio shows a path that leads over a ramp to the gate of this monastery.
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GHIRLANDAIO, Domenico
Detail of Stigmata of St Francis
1451-1500
Florence Three riders have stopped by a river in order to let their horses drink.
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GHIRLANDAIO, Domenico
Detail of Visitation
1451-1500
A pair of women behind them are Elisabeth-s companions
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| GHIRLANDAIO, Domenico
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Italian Early Renaissance Painter, 1449-1494
Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);
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